Graham Dean's paintings use the figure not in a literal way but more as
a vehicle to convey ideas, emotions and psychological states. Whilst his
works are representational, they escape the illustrative through his ability
to draw a broader meaning from the deeply personal.
Employing a technique that he calls "reverse archaeology", Graham
Dean transforms the conventional use of watercolour painting. Contrasting
layers of paint are laid separately onto porous handmade Indian paper,
achieving a density and brilliance of colour that is visceral in its effects,
merging the figure with the organic process of paint spreading through
paper. Sections from several different versions of the same composition
are torn away and reassembled in a form of collage, lending each image
a rawness and immediacy which supports the emotive and dramatic qualities
of the works. 'He calls his figures 'holding pens' for emotion.
Graham Dean has exhibited internationally now for over 25 years and his work is in many private and public collections throughout the world. He lives and works near the sea in Brighton, England and in the countryside of Umbria, Italy.
Click here to download an essay on Graham Dean by Lynne Green (© 2001 Lynne Green)